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From Chapter 1: There is little doubt that the smoke of herbs and leaves of various kinds was inhaled in this country, and in Europe generally, long before tobacco was ever heard of on this side the Atlantic. But whatever smoking of this kind took place was medicinal and not social. Many instances have been recorded of the finding of pipes resembling those used for tobacco- smoking in Elizabethan times, in positions and in circumstances which would seem to point to much greater antiquity of use than the form of the pipes supports; but some at least of these finds will not bear the interpretation which has been put upon them, and in other cases the presence of pipes could reasonably be accounted for otherwise than by associating them with the antiquity claimed for them. In any case, the entire absence of any allusions whatever to smoking in any shape or form in our pre-Elizabethan literature, or in mediæval or earlier art, is sufficient proof that from the social point of view smoking did not then exist. The inhaling of the smoke of dried herbs for medicinal purposes, whether through a pipe-shaped funnel or otherwise, had nothing in it akin to the smoking of tobacco for both individual and social pleasure, and therefore lies outside the scope of this book.
From Chapter 6: Thackeray pictures Dryden as sitting in his great chair at Will's Coffee-house, Russell Street, Covent Garden, tobacco-pipe in hand; but there is no evidence that Dryden smoked. The snuff-box was his symbol of authority. Budding wits thought themselves highly distinguished if they could obtain the honour of being allowed to take a pinch from it. Of Dr. Aldrich, who was Dean of Christ Church, Oxford, and who wrote a curious "Catch not more difficult to sing than diverting to hear, to be sung by four men smoaking their pipes," an anecdote has often been related, which illustrates his devotion to the weed. A bet was made by one undergraduate and taken by another, that at whatever time, however early, the Dean might be visited in his own den, he would be found smoking. As soon as the bet had been made the Dean was visited. The pair explained the reason for their call, when Aldrich, who must have been a good-tempered man, said, "Your friend has lost: I am not smoking, only filling my pipe."
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Cigarette and Tobacco Information:
From Chapter 2: smoking was not confined to the auditors on the stage, who paid sixpence each for a stool. There was the "lords' room" over the stage, which seems to have corresponded with the modern stage boxes, the price of admission to which appears to have been a shilling, where the pipe was also in full blast. Dekker tells how a gallant at a new play would take a place in the "twelve penny room, next the stage, because the lords and you may seem to be hail fellow, well met"; and Jonson, in "Every Man out of his Humour," 1600, speaks of one who pretended familiarity with courtiers, that he talked of them as if he had " taken tobacco with them over the stage, in the lords' room."
From Chapter 6: Grave wits, who, spending farthings four, Sit, smoke, and warm themselves an hour. The allusions in the Spectator to smoking in the coffee-houses are frequent. "Sometimes," says Addison, in his title character in the first number of the paper, "sometimes I smoak a pipe at Child's and whilst I seem attentive to nothing but the Post-man, over-hear the conversation of every table in the room." And here is a vignette of coffee-house life in 1714 from No. 568 of the Spectator: "I was yesterday in a coffee-house not far from the Royal Exchange, where I observed three persons in close conference over a pipe of tobacco; upon which, having filled one for my own use, I lighted it at the little wax candle that stood before them; and after having thrown in two or three whiffs amongst them, sat down and made one of the company. I need not tell my reader, that lighting a man's pipe at the same candle is looked upon among brother-smoakers as an overture to conversation and friendship." From the very beginning smoking has induced and fostered a spirit of comradeship.
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Tobacco History:
Cigarettes and Literature
From Chapter 2:
The properly accomplished gallant not only professed to be curiously learned in pipes and tobacco, but his knowledge of prices and their fluctuations, of the apothecaries' and other shops where the herb was sold, and of the latest and most fashionable ways of inhaling and exhaling the smoke, was, like Mr. Weller's knowledge of London, "extensive and peculiar." It was knowledge of this kind that gained for a gallant reputation and respect by no means to be acquired by mere scholarship and learning.
From Chapter 5: "Old English 'clays,'" says Mr. T.P. Cooper, "are exceedingly interesting, as most of them are branded with the maker's initials. Monograms and designs were stamped or moulded upon the bowls and on the stems, but more generally upon the spur or flat heel of the pipe. Many pipes display on the heels various forms of lines, hatched and milled, which were perhaps the earliest marks of identification adopted by the pipe-makers. In a careful examination of the monograms we are able to identify the makers of certain pipes found in quantities at various places, by reference to the freeman and burgess rolls and parish registers. During the latter half of the seventeenth century English pipes were presented by colonists in America to the Indians; they subsequently became valuable as objects of barter or part purchase value in exchange for land. In 1677 one hundred and twenty pipes and one hundred Jew's harps were given for a strip of country near Timber Creek, in New Jersey. William Penn, the founder of Pennsylvania, purchased a tract of land, and 300 pipes were included in the articles given in the exchange."
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